Jump Cut Transitions
New Hollywood directors built upon classical conventions with personal and experimental approaches.
According to the provided source, Martin Scorsese is identified as a notable director of the 1970s New Hollywood period who utilized new editing techniques. The text states that this era was influenced by the romanticism of the classical era and the French New Wave, particularly the belief held by figures like André Bazin that movies should serve as personalized projects representing a director's individual vision. While Scorsese is explicitly named for using 'new editing,' the source does not specify that he used jump cuts, nor does it mention specific films, collaborators, or visual styles attributed to him in this context.
- Influence Source
- French New Wave Cinema
Lore & Background
The source describes the New Hollywood period of the 1960s to 1980s as a time when filmmakers took bigger risks amidst a general mistrust of authority. It notes that strong-willed directors like Howard Hawks, Alfred Hitchcock, and Frank Capra battled studios earlier in the studio system era to achieve artistic visions. Moving into the 1970s, new directors built upon classical conventions by adding more personal and experimental approaches. Martin Scorsese is singled out as a notable figure who used 'new editing' and character types during this movement. The text explains that the French New Wave influenced these filmmakers through the ideas of André Bazin regarding movies serving as personalized projects.
In Their Own Story
The source recounts that by mid-1920, prominent American directors and actors had to join the new studio system. It details how the apogee of this system was likely 1939, a year releasing classics such as The Wizard of Oz, Gone with the Wind, and Stagecoach. In contrast, the New Hollywood era emerged in the 1960s with productions like Bonnie and Clyde and The Graduate. The text mentions that Scorsese is a notable director from this later period who used new editing techniques. However, there are no specific narrative moments described involving Scorsese's use of jump cuts, nor any story elements regarding the removal of mundane seconds or the compression of time in his films within this source material.
Reader's Guide
The source defines continuity editing devices such as the 180-degree rule and the 30-degree rule, noting that cuts not adhering to the 30-degree rule are known as jump cuts. It states that these cuts are disruptive to the illusion of temporal continuity between shots, except when used as axial cuts which change perspective without changing the angle of shooting. The text mentions that Martin Scorsese is a notable director who used 'new editing,' but it does not provide a guide on how he specifically applied jump cuts to achieve time compression or psychological disorientation. The source emphasizes that classical Hollywood characters are active and goal-oriented, and that New Hollywood directors added personal approaches, yet it offers no specific instructions or examples of Scorsese's technique beyond this general attribution.
Did You Know?
- The classical Hollywood style began to dominate the film medium in America by 1917.
- Jump cuts are defined as cuts that do not adhere to the 30-degree rule and disrupt temporal continuity, except when used as axial cuts.
- Martin Scorsese is noted as a director who used new editing techniques during the New Hollywood movement of the 1960s to 1980s.
- The studio system ended before the 1970s with the loss of movie theaters and contract talent.
- André Bazin believed movies morally should serve as personalized projects representing a director's individual vision.